1 00:00:00,000 --> 00:00:02,000 Tonight, a sightings exclusive. 2 00:00:02,000 --> 00:00:05,000 Never have I come across anything like this before. 3 00:00:05,000 --> 00:00:09,000 A viewer captures eerie images and bizarre messages on Polaroid film. 4 00:00:09,000 --> 00:00:12,000 Is it an entity communicating from beyond? 5 00:00:12,000 --> 00:00:14,000 And we asked in his name and he answered. 6 00:00:14,000 --> 00:00:20,000 Our special investigation reveals startling evidence that baffles photographic experts and psychics alike. 7 00:00:30,000 --> 00:00:50,000 Music 8 00:00:50,000 --> 00:00:54,000 Welcome to Sightings. I'm Tim White. 9 00:00:54,000 --> 00:01:00,000 Tonight, a special extended report on the most important ghost investigation ever conducted on sightings. 10 00:01:00,000 --> 00:01:07,000 For the first time ever, hard evidence has been found that could prove the existence of communication with spirits. 11 00:01:07,000 --> 00:01:11,000 This historic case began with a call to our sightings hotline. 12 00:01:11,000 --> 00:01:18,000 A viewer contacted us to say that he had captured ghostly communication on Polaroid instant film. 13 00:01:19,000 --> 00:01:25,000 These are the pictures that have astonished researchers and left photographic experts baffled. 14 00:01:25,000 --> 00:01:30,000 They contain messages and images that seem to indicate communication with spirits. 15 00:01:30,000 --> 00:01:35,000 At first, the photographs frightened me. 16 00:01:35,000 --> 00:01:40,000 He snapped one of these things and when he started asking questions, it starts answering. 17 00:01:40,000 --> 00:01:44,000 I don't know how to explain how bizarre that feels. 18 00:01:44,000 --> 00:01:49,000 Music 19 00:01:49,000 --> 00:01:53,000 Never, ever have I come across anything like this at all before. 20 00:01:53,000 --> 00:01:58,000 Music 21 00:01:58,000 --> 00:02:04,000 From their hillside home in Los Angeles, John Huckard and John Matkowski called us about their photographs. 22 00:02:04,000 --> 00:02:09,000 It all started less than a year ago when both men began to sense a strange presence. 23 00:02:09,000 --> 00:02:16,000 Now we stand there reading something at the desk or something and I feel a hand come up and place it on my shoulder. 24 00:02:16,000 --> 00:02:19,000 And of course I turn around to see who it is and there's nobody there. 25 00:02:19,000 --> 00:02:24,000 And then I get sort of a jolt of adrenaline or whatever. It makes me kind of nervous. 26 00:02:24,000 --> 00:02:35,000 Another thing I've seen in the last year is I've just seen this sort of free-floating shadow moving across the floor, the desk or the wall or whatever. 27 00:02:35,000 --> 00:02:40,000 And when I see it, at first I think it's, well I'm not actually sure what it is, but it's moving very slow. 28 00:02:40,000 --> 00:02:47,000 And then when I try to mask out all the possibilities for what could be causing it, there's nothing causing it. 29 00:02:47,000 --> 00:02:55,000 The other thing that I've seen, apparently I'm the only one who's seen this, is I've seen this old man standing over near the couch. 30 00:02:55,000 --> 00:03:00,000 I see him out of the corner of my eye and it's just there for a hardly tangible instant. 31 00:03:00,000 --> 00:03:04,000 It's just there and then when you look and blink, it's not there anymore. 32 00:03:04,000 --> 00:03:08,000 I felt things like, sort of like a sunburn on my arms. 33 00:03:08,000 --> 00:03:13,000 It's the only way I can explain it. It's sort of like a tingly, like a sunburn. 34 00:03:13,000 --> 00:03:19,000 That's the only thing I can think of and that's how I usually know if there's some kind of presence here or something. 35 00:03:19,000 --> 00:03:24,000 In an effort to document the shadowy presence, the two men started taking pictures, 36 00:03:24,000 --> 00:03:28,000 unsure if anything so intangible could be captured on film. 37 00:03:28,000 --> 00:03:38,000 I took the picture of the bathroom door over by the bathroom and got this really strange looking thing that was either scary or comical. 38 00:03:38,000 --> 00:03:48,000 The first images they captured had distinct eyes, mouth and body, but then the pictures took an unexpected turn and the results shot everyone. 39 00:03:48,000 --> 00:03:51,000 They started receiving answers to specific questions. 40 00:03:51,000 --> 00:04:00,000 We asked him what his name was. Just assuming that it's a presence and we asked him his name and he answered, 41 00:04:00,000 --> 00:04:07,000 on a Polaroid, he told us his name was Wright and we were like, 42 00:04:07,000 --> 00:04:14,000 uh-huh, we still didn't believe it. So we just continued asking questions to the mill, the air, the living room, just to nothing 43 00:04:14,000 --> 00:04:20,000 and we'd ask him if he was a good ghost or a bad ghost, you know, just really named questions to begin with 44 00:04:20,000 --> 00:04:22,000 and he answered friend. 45 00:04:22,000 --> 00:04:30,000 Who or what was causing this communication? When contacted Polaroid was at a loss to explain the phenomenon. 46 00:04:30,000 --> 00:04:38,000 So far more than 100 photos have been taken. Early writing was in English, but more recent writing has been in Latin. 47 00:04:38,000 --> 00:04:49,000 We have asked him if he died in this house and his answer was in Latin, he answered that among other things he did die in this house. 48 00:04:49,000 --> 00:04:57,000 Once John Matkowski contacted us, we assembled a sightings investigative team to be led by Cary Gaynor, 49 00:04:57,000 --> 00:05:05,000 noted UCLA parapsychologist who has investigated more than 800 haunting cases in his 20 years of field work. 50 00:05:05,000 --> 00:05:13,000 Cary Gaynor's famous photographic work in the Notorious Entity case uniquely qualified him for this assignment. 51 00:05:14,000 --> 00:05:20,000 In my line of work we spend a great deal of time waiting and watching and wondering and hoping. 52 00:05:20,000 --> 00:05:28,000 We don't experience phenomena very often. The people that live in the home are there all the time and as a researcher I just come in and leave. 53 00:05:28,000 --> 00:05:39,000 But when something happens it's so exciting, it's so exhilarating, it's a moment of connectedness with something that's just mysterious, exciting, unknown. 54 00:05:39,000 --> 00:05:45,000 Cary Gaynor began his survey using a magnetometer to measure the physical environment. 55 00:05:45,000 --> 00:05:51,000 The reason we're using a magnetometer is just to see if there are any changes in the environment basically with the onset of the phenomena. 56 00:05:51,000 --> 00:05:59,000 So that's the intriguing thing, it's to walk the house and get a reading on it and then if something happens to have the magnetometer out 57 00:05:59,000 --> 00:06:03,000 and see if there's any change in the reading during the phenomena itself. 58 00:06:03,000 --> 00:06:09,000 Since the ghost writing first appeared several of John's friends have also been able to capture messages on film. 59 00:06:09,000 --> 00:06:18,000 We ask them to participate in our investigation. Researchers carefully documented every step of the process to minimize the possibility of a hoax. 60 00:06:18,000 --> 00:06:24,000 Four cameras were on site, sealed film, direct from Polaroid, was checked, rechecked and logged. 61 00:06:24,000 --> 00:06:27,000 Marty Elkin was the first to get an answer. 62 00:06:27,000 --> 00:06:31,000 Our most spirits, good spirits or bad spirits. 63 00:06:32,000 --> 00:06:38,000 30 seconds later, this astonishing message appeared. 64 00:06:38,000 --> 00:06:42,000 There are numerous remedial lamiurs. 65 00:06:42,000 --> 00:06:44,000 Do we have a Latin dictionary? 66 00:06:44,000 --> 00:06:49,000 The lamiurs in Roman mythology, the night walking spirits of the dead. 67 00:06:49,000 --> 00:06:54,000 The nervous laughter masked the tension and excitement in the room. 68 00:06:54,000 --> 00:06:59,000 Since the supposed spirits seemed to want to communicate with Marty, she asked another question. 69 00:06:59,000 --> 00:07:02,000 Right, will you be with them for a long time? 70 00:07:02,000 --> 00:07:06,000 And as the film developed, another answer appeared in Latin. 71 00:07:06,000 --> 00:07:08,000 Marty, what are you thinking right now? 72 00:07:08,000 --> 00:07:10,000 How strange. 73 00:07:12,000 --> 00:07:16,000 Translated, the message reads, all this is over now. 74 00:07:16,000 --> 00:07:26,000 Edson Williams, a special effects expert from the Brooks Institute of Photography in Santa Barbara, California, was on site to examine the photographs immediately. 75 00:07:26,000 --> 00:07:28,000 These were shots that were taken today. 76 00:07:28,000 --> 00:07:31,000 A few minutes ago, they were shot and came out of Polaroid. 77 00:07:31,000 --> 00:07:39,000 I actually watched them eject out of the Polaroid and now I'm in the process of evaluating, trying to decide if they're actually authentic or if they've been manipulated. 78 00:07:39,000 --> 00:07:45,000 There was a moment there where I thought, oh my God, there's, and I was in the Polaroid, which made it even spookier. 79 00:07:45,000 --> 00:07:49,000 I'm in the background of the Polaroid, so I have a picture of me with ghosts running across it. 80 00:07:49,000 --> 00:07:53,000 And it made me feel that there could be something in the house. 81 00:07:53,000 --> 00:08:00,000 Many controlled photographs were taken with no results, and then suddenly another message. 82 00:08:00,000 --> 00:08:02,000 Ed Litterum. 83 00:08:02,000 --> 00:08:04,000 Rick, what did you ask? 84 00:08:04,000 --> 00:08:08,000 I asked what did he think of this in comparison to one year's alive. 85 00:08:08,000 --> 00:08:10,000 What do you think of the technology and what's going on? 86 00:08:10,000 --> 00:08:13,000 No, it's not a distinction. 87 00:08:13,000 --> 00:08:15,000 Ah, Ed Litterum. 88 00:08:15,000 --> 00:08:17,000 Okay, to the letter, exactly. 89 00:08:17,000 --> 00:08:23,000 You have to establish a chain of evidence. You have to be able to observe the phenomena from the beginning to the end. 90 00:08:23,000 --> 00:08:29,000 So we have to load the film. We have to show that it's a sealed pack. We have to show that it's our camera. 91 00:08:29,000 --> 00:08:35,000 We have to fire it. We have to control the film as it comes out. We have to establish a chain of evidence. 92 00:08:35,000 --> 00:08:37,000 And once we do that, I'll feel much more comfortable. 93 00:08:37,000 --> 00:08:43,000 When we return, our night long investigation continues with more startling images and eerie messages. 94 00:08:43,000 --> 00:08:47,000 Then our photo expert analyzes the pictures and tries to duplicate them. 95 00:08:47,000 --> 00:08:52,000 And later, a paranormal investigator attempts psychic contact with the ghostwriter. 96 00:08:52,000 --> 00:08:57,000 Hard evidence is the ultimate goal for every ghost investigator. 97 00:08:57,000 --> 00:09:05,000 And the instant photographs in this case might be just the kind of proof investigators have been searching for since the earliest days of photography. 98 00:09:05,000 --> 00:09:09,000 Early camera technology was crude, and hoaxes were commonplace. 99 00:09:09,000 --> 00:09:15,000 But with the publication of the famous Lincoln photograph, spirit photography began to be taken seriously. 100 00:09:15,000 --> 00:09:21,000 Significantly, virtually every example of ghosts on film has been exposed as fraudulent. 101 00:09:21,000 --> 00:09:29,000 Only now has sightings been able to document what appears to be ghostly images on film in real time with witnesses present. 102 00:09:29,000 --> 00:09:35,000 Here you will see without editing the ghostwriting phenomenon on film. 103 00:09:36,000 --> 00:09:42,000 First, a fresh, sealed package of factory direct film is loaded into John's camera. 104 00:09:42,000 --> 00:09:48,000 This camera has been examined by photographic experts who found no obvious evidence of tampering. 105 00:09:48,000 --> 00:09:54,000 In this continuous action sequence, John Huckert poses a specific question. 106 00:09:54,000 --> 00:09:56,000 A picture is taken. 107 00:09:56,000 --> 00:10:01,000 And an answer to the question appears on film while the sightings cameras roll. 108 00:10:01,000 --> 00:10:06,000 Is he here because you guys or is he here because this film is his? 109 00:10:06,000 --> 00:10:10,000 Are you here because of us or are you here because of the house itself? 110 00:10:25,000 --> 00:10:29,000 45 seconds later, writing appears on the photographs. 111 00:10:30,000 --> 00:10:31,000 What does it say? 112 00:10:31,000 --> 00:10:33,000 Genius loci. 113 00:10:33,000 --> 00:10:35,000 Who asked the question? 114 00:10:35,000 --> 00:10:37,000 John asked it in the other John's ticket. 115 00:10:37,000 --> 00:10:43,000 The question for this picture was, are you here for John or the house? 116 00:10:43,000 --> 00:10:49,000 And the answer came out in Latin. We looked it up and the answer is fairly intriguing. 117 00:10:49,000 --> 00:10:53,000 The exact translation is the guardian spirit of a man or place. 118 00:10:53,000 --> 00:10:58,000 Without any obvious signs of tampering, the sightings team had to ask, 119 00:10:58,000 --> 00:11:05,000 could this actually be a guardian spirit communicating from the grave or a hoax not yet solved? 120 00:11:05,000 --> 00:11:10,000 The camera and the exposed film were immediately sent to the Brooks Institute of Photography. 121 00:11:10,000 --> 00:11:16,000 Edson Williams, who had been on site during the investigation, developed one possible explanation. 122 00:11:16,000 --> 00:11:20,000 I scanned in the Polaroid at a high resolution using a digital scanner. 123 00:11:20,000 --> 00:11:27,000 When I scanned it in, I zoomed in on the image and noticed there would be individual hair fragments in the text. 124 00:11:27,000 --> 00:11:33,000 I increased the contrast and sharpness and edge sharpness of the image and the hairs became more apparent. 125 00:11:33,000 --> 00:11:39,000 It appears to me under high magnification that it is some kind of fiber, more than likely cotton. 126 00:11:40,000 --> 00:11:46,000 In his lab, Williams demonstrated for sightings how he believes the writing could have been created. 127 00:11:46,000 --> 00:11:53,000 The initial step was to shoot pulled cotton with a 4x5 camera using E6 film. 128 00:11:53,000 --> 00:11:56,000 The next step was to pre-expose the Polaroid film. 129 00:11:56,000 --> 00:12:02,000 I removed the cover sheet of the Polaroid pack and inserted the transparency with the text on it. 130 00:12:02,000 --> 00:12:07,000 Using a flash pack, I exposed the Polaroid with the text. 131 00:12:07,000 --> 00:12:13,000 I removed the transparency and reinserted the cover sheet and load the film normally. 132 00:12:13,000 --> 00:12:17,000 Although Williams did create writing similar to that of the alleged ghostwriter, 133 00:12:17,000 --> 00:12:21,000 his elaborate process took over an hour to complete. 134 00:12:21,000 --> 00:12:25,000 It would be difficult to recreate the same process in the house with observers. 135 00:12:25,000 --> 00:12:27,000 It looks like cotton, but then again. 136 00:12:28,000 --> 00:12:34,000 Experts at the Polaroid Corporation in Waltham, Massachusetts were at a loss to explain the ghostwriting phenomenon. 137 00:12:34,000 --> 00:12:37,000 I spoke with photo expert Howard Worsel. 138 00:12:37,000 --> 00:12:41,000 We have never encountered it and we've been selling film for now 50 years. 139 00:12:42,000 --> 00:12:48,000 To billions of customers, especially film that was even higher sensitivity than the current color film. 140 00:12:48,000 --> 00:12:51,000 It could be what they're saying that it is. 141 00:12:51,000 --> 00:12:56,000 It's a possibility that somehow there's a field that they are capturing. 142 00:12:57,000 --> 00:12:59,000 Physically, I don't know how they could do that. 143 00:12:59,000 --> 00:13:04,000 The two individuals who brought the story to our attention say they didn't manipulate the film. 144 00:13:04,000 --> 00:13:10,000 The sightings people who have been there on site and watched what's happened say that they didn't manipulate the film. 145 00:13:10,000 --> 00:13:12,000 Does that put your skepticism at rest? 146 00:13:12,000 --> 00:13:16,000 It depends on where the film pack came from that was loaded into the camera. 147 00:13:16,000 --> 00:13:22,000 If the film pack came out of a sealed box from Polaroid that had not had the seal broken, 148 00:13:22,000 --> 00:13:25,000 then the answer is yes, that would eliminate my skepticism. 149 00:13:25,000 --> 00:13:26,000 It looks like a fresh act. 150 00:13:26,000 --> 00:13:29,000 We screened a tape of the continuous action sequence inside the house 151 00:13:29,000 --> 00:13:34,000 and Howard Worsel saw factory sealed film inserted in the cameras. 152 00:13:34,000 --> 00:13:36,000 They're very accomplished if it's a hoax. 153 00:13:36,000 --> 00:13:40,000 If it's real, it's something I've never seen before. 154 00:13:40,000 --> 00:13:50,000 Just on a personal level, isn't there part of you that would really like there to be something unusual going on here? 155 00:13:50,000 --> 00:13:51,000 Oh, of course. 156 00:13:51,000 --> 00:13:56,000 I mean, that's the desire to find spirits or design things that we haven't been able to find. 157 00:13:56,000 --> 00:14:01,000 It would be a uncovering of a whole new world to people if it were real. 158 00:14:01,000 --> 00:14:03,000 No way any of us can really know, I guess. 159 00:14:03,000 --> 00:14:09,000 This sort of has validated some of my beliefs that there is something on the other side, I guess is how you could say it. 160 00:14:09,000 --> 00:14:14,000 For Paris Psychologist Carrie Gaynor, the investigation will continue. 161 00:14:14,000 --> 00:14:21,000 The potential here is really unlimited if they can write on Polaroid film while it's inside a camera. 162 00:14:21,000 --> 00:14:24,000 What else can they do? What next? 163 00:14:24,000 --> 00:14:30,000 It's really, it reaches to the outer limits of our imagination. 164 00:14:30,000 --> 00:14:34,000 Joining us now is Carrie Gaynor with the outcome of his investigation. 165 00:14:34,000 --> 00:14:36,000 Carrie, thanks for joining us. 166 00:14:36,000 --> 00:14:40,000 Is this case in any way like other cases that you've investigated? 167 00:14:40,000 --> 00:14:44,000 I personally have never come across anything like this in the 20 years that I've been doing research, 168 00:14:44,000 --> 00:14:49,000 and I'm quite familiar with the literature, and I've never seen anything like this in the literature either. 169 00:14:49,000 --> 00:14:54,000 Where does the investigation go from here? What more do you need to know to draw some conclusions? 170 00:14:54,000 --> 00:14:59,000 What I would like to do is to continue to go back there and try to photograph this writing again 171 00:14:59,000 --> 00:15:06,000 and see if I can get it out of my camera with my film to make sure there's been no manipulation on the part of the people in the home. 172 00:15:06,000 --> 00:15:13,000 Is this in some way more persuasive or more puzzling for you than past so-called ghost phenomena with cameras? 173 00:15:13,000 --> 00:15:18,000 Well, it's very exciting because I was there when the pictures were taken and the writing came out. 174 00:15:18,000 --> 00:15:24,000 But because it's a Polaroid film, it's very difficult to analyze it properly. There's no negative to study. 175 00:15:24,000 --> 00:15:29,000 It would be very interesting to get this kind of writing on film with a negative. 176 00:15:29,000 --> 00:15:32,000 If it's not a hoax, what does it mean? 177 00:15:32,000 --> 00:15:35,000 Well, there are two possibilities if it's not a hoax. 178 00:15:35,000 --> 00:15:41,000 One is that this is mine to film communication, so that it's some kind of psychokinetic process. 179 00:15:41,000 --> 00:15:43,000 Their mind is impacting the film itself. 180 00:15:43,000 --> 00:15:49,000 The other possibility is that it's some kind of spirit communication, and that, of course, is a more interesting possibility, 181 00:15:49,000 --> 00:15:51,000 but both of them are very exciting to me. 182 00:15:51,000 --> 00:15:56,000 Kerry, did the ghost writing change in any significant way over time? 183 00:15:56,000 --> 00:16:00,000 Well, luckily they had dated their pictures, and when we laid them in chronological order, 184 00:16:00,000 --> 00:16:04,000 we could see a fairly definite pattern of some kind of growth or learning. 185 00:16:04,000 --> 00:16:10,000 The writing, the handwriting itself seemed to improve in some way, which I found very interesting. 186 00:16:10,000 --> 00:16:13,000 Kerry Gainer, thanks for your investigative work in this case. 187 00:16:13,000 --> 00:16:16,000 When we return a different kind of investigation, 188 00:16:16,000 --> 00:16:22,000 when paranormal investigator Peter James records his psychic impressions at the ghostwriter house. 189 00:16:22,000 --> 00:16:26,000 Coming up next, our exclusive sightings investigation continues 190 00:16:26,000 --> 00:16:33,000 when a paranormal expert attempts psychic contact with the ghostwriter. 191 00:16:33,000 --> 00:16:37,000 In our search for all possible explanations for the ghostwriting phenomenon, 192 00:16:37,000 --> 00:16:41,000 we contacted Peter James, one of America's foremost psychics. 193 00:16:41,000 --> 00:16:46,000 You might remember Peter's astonishing work with sightings during our investigation at Alcatraz. 194 00:16:46,000 --> 00:16:52,000 Well, because of his startling communication with apparent spirits inside that haunted prison, 195 00:16:52,000 --> 00:16:55,000 we felt Peter could provide important insights into this case. 196 00:16:55,000 --> 00:16:58,000 Surprisingly, at first, he was skeptical. 197 00:16:58,000 --> 00:17:05,000 Peter has a long history of exploring and documenting cases of hauntings, apparitions, 198 00:17:05,000 --> 00:17:08,000 and spirits that are not easily explained or understood. 199 00:17:08,000 --> 00:17:13,000 But he also has been involved in cases he has exposed as obvious fraud. 200 00:17:13,000 --> 00:17:18,000 In all of my years of delving into the paranormal world, 201 00:17:18,000 --> 00:17:24,000 I have never seen an entity present itself in that fashion. 202 00:17:24,000 --> 00:17:31,000 But I will say that all things are possible, and perhaps it's something new that I have never encountered. 203 00:17:31,000 --> 00:17:38,000 Peter James works by reading the vibrations he claims to feel when he is in the presence of spirits. 204 00:17:38,000 --> 00:17:47,000 I feel that this area here is, within the bedroom, is a hot spot. 205 00:17:47,000 --> 00:17:59,000 Or perhaps this is where the individual died in this particular area, because this is where I feel it strongest. 206 00:17:59,000 --> 00:18:06,000 Not only did he feel a presence, but within minutes, Peter said he was receiving several names, telepathically. 207 00:18:06,000 --> 00:18:14,000 I receive the name of Gilbert. I get, there is a John, there is a Stefan or a Stephen. 208 00:18:14,000 --> 00:18:17,000 There is a Robert. 209 00:18:17,000 --> 00:18:33,000 Two most prevalent names, I say three, is Ramon or Raymond in the bedroom, and Evelyn, who is here, and Amelia is throughout. 210 00:18:33,000 --> 00:18:38,000 And I am getting an essence of all three of those names, vibrationally. 211 00:18:38,000 --> 00:18:44,000 John Huckert and John Matkowski had already researched the names of the home's previous owners. 212 00:18:44,000 --> 00:18:50,000 Although they had not shared this information with Peter James, he had correctly named several people on their list. 213 00:18:50,000 --> 00:18:59,000 Now, this is a list of the people who have owned the house since, all the way back to 1848 when there wasn't even a house here. 214 00:18:59,000 --> 00:19:07,000 And going over the list, we see in 1911 and 1912 three women lived here. One of them was named Amelia. 215 00:19:07,000 --> 00:19:14,000 In 1941, someone named Robert was here. In 1966, someone named Gilbert owned this property. 216 00:19:14,000 --> 00:19:22,000 Having successfully identified three potential spirits inside the house, Peter found what he called a spiritual vortex, 217 00:19:22,000 --> 00:19:26,000 a kind of doorway through which spirits might be entering the house. 218 00:19:26,000 --> 00:19:37,000 I feel a very strong vibration, like something is definitely coming up from the floor and wants to come up to the ceiling. 219 00:19:37,000 --> 00:19:45,000 And I got that tingling sensation right now. And it's also very cold here. 220 00:19:45,000 --> 00:19:55,000 It's almost like one would stand on a foot massager and feel the energy coming in from your feet, through your feet, from the floor. 221 00:19:55,000 --> 00:20:04,000 I'm feeling that vibrational feeling, like something is coming. And if you look at my legs, they're actually trembling. 222 00:20:04,000 --> 00:20:10,000 And it feels like something is coming from below and it's going through my entire body. 223 00:20:10,000 --> 00:20:16,000 Polaroid pictures of Peter James standing in the vortex also contain strange images. 224 00:20:16,000 --> 00:20:22,000 It feels like something could literally come from below and come through the floor. 225 00:20:22,000 --> 00:20:29,000 And it feels like something is beginning to surface. So whatever is on the polaroids, it is their way of saying, 226 00:20:29,000 --> 00:20:37,000 pay attention, this is how we're communicating with you, but they can't quite get it into words. 227 00:20:37,000 --> 00:20:43,000 Peter James felt strong, unsettling psychic vibrations during his entire stay in the house. 228 00:20:43,000 --> 00:20:48,000 And the pictures taken of him did seem to show evidence of the ghost-riding phenomenon. 229 00:20:49,000 --> 00:21:01,000 My experience here today clearly is telling me to convey to you that your probing here should be ongoing. 230 00:21:01,000 --> 00:21:09,000 During his investigation, Peter James felt that the physical body of the ghost-rider could be buried on the property. 231 00:21:09,000 --> 00:21:16,000 In a bizarre quest for an explanation of the ghost-riding phenomenon, John Huckard and John Matkowski are now digging up their property 232 00:21:16,000 --> 00:21:21,000 in search of human remains. We'll keep you updated on their findings. 233 00:21:21,000 --> 00:21:25,000 Join us next time for new investigations into the unexplained. 234 00:21:25,000 --> 00:21:28,000 For Sightings, I'm Tim White. 235 00:21:30,000 --> 00:21:37,000 Don't go away. There's another episode of sightings coming up next. Sunday, L.A. Law's Corbyn Burns and guest stars on Rock Live. 236 00:21:37,000 --> 00:21:42,000 Then, if a mysterious object zips by you on the highway, no need to call sightings. 237 00:21:42,000 --> 00:21:49,000 It's probably just Al Bundy cruising on his new motorcycle. Meet the new leader of the pack on an all-new Married With Children.